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Copyright, Confusion, and Cooperation

Jun 21st, 2008 | By Eric Hoefler | Category: Writing/Media/Genre

I’ve been collecting posts, videos, etc. related to the copyright controversy in my Del.icio.us account, tagged copyright.

As a writer, English teacher, lover of film and literature, and friend of many artists, I’m very concerned about this issue (as a survey of recent posts here should indicate). However, the more I learn, the less sure I become of which position to take.

I’m semi-clear on a few things:

  • The original intent was to provide incentives for inventors and artists to share their work with the public by providing a limited monopoly. This provision was not understood as a “natural” right by the founders, and the concern was more about the common good than the individual inventors and artists.1
  • Current copyright law, wielded less by individuals than by corporations, is restricting the benefits that the commons can derive from art, and it is doing so to an ever greater degree as controls tighten and copyrights are extended.
  • Further restrictions on fair use only make this matter worse.
  • We (the commons) should be concerned with our collective good, the right to build on the works of others, the freedom of information, and the right to “share culture” freely (as in libre).
  • On the other hand, we should also be worried about reducing or eliminating incentives for artists and inventors to create and share their creations. Similarly, we should be concerned about the impact this will have on journalism and journalists.2

When I argue, I tend to argue from this last point. Art, literature, film, etc. … these are vital and important aspects of culture, though you’ll get no argument from me that too much has been co-opted by the corporations.3 Still, the artists themselves are not (and should not be) the enemy. We, the commons, should be interested in their success even as we actively fight against the legal and corporate limitations that have been built around them.

Collectively, I believe we can find a solution to these difficulties, but only if we are focusing on building solutions rather than, or at least in addition to, destroying the problems. If we just storm the walls and tear down the keep, the artists, inventors, and journalists are also likely to be crushed in the process.4

One example I applaud is Google’s recently-stated approach to newspapers, saying they have a “huge moral imperative to help.”5 I think this approach — the new industries, technologies, and markets reaching out to and working with the existing ones to help them make the transition effectively — is the most responsible one, and the one most likely to bring success to both the artists and the commons who benefit from their creations. I hope to see more examples like this.

  1. Ultimately, the goal was to get artists to share so that there would be more works for the commons to build upon, thereby improving the common good. The incentive, though directed at the artist, was to indirectly further the common good. [back]
  2. The many problems with corporate media’s “infotainment” approach to journalism is also a huge problem, but one I’m not going to address here. Still, the fact that we need good journalists, and that good journalists need to be paid for their work if they’re going to be able to do it well, should require no argument. [back]
  3. The AP’s recent insanity surrounding fair use by bloggers is an excellent worst-case example of the problem. [back]
  4. And, for the frauds and sell-outs, that might be fine … but for the rest? I’m not willing to destroy the many for the sins of the few. [back]
  5. Google CEO: “Moral Imperative” To Help Newspapers - Media on The Huffington Post [back]

Related posts (auto-generated):

  1. Copyright and the Control of Information Neil W. Netanel defines the problem newspapers face in the digital age: Newspapers thus suffer from the classic public goods problem. Producers of quality journalism...
  2. Plugging Our Ears This morning, Doug Noon shared a post entitled "The Fiction of Intellectual Property." The post and the comments are thoughtful, but ultimately frustrating. What follows...
  3. Still Not Convinced I keep trying to understand the position of the "copyright abolitionists," but so far, I'm still not convinced. Here are a few points I'm stuck...
  4. Gnuosphere on File Sharing Peter Rock has been graciously helping me continue to think about copyright over on his blog.  It started with his post "sharing denies nothing" in...
  5. Snarky Copyright Comment I thought this comment on a TechCrunch post was wonderfully snarky (and accurate) enough to be quoted and shared: Let me see if I have...
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5 comments
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  1. Hello, Eric,

    FWIW, I’ve been enjoying your writing on this topic for the last several months — you are doing a great job of framing the issues, and approaching them with incredible openness –

    RE: “On the other hand, we should also be worried about reducing or eliminating incentives for artists and inventors to create and share their creations.”

    Most of the time when people talk about “incentives” we can safely understand that as a euphemism for “money” — and there is some accuracy there, as we all have to eat.

    But the level of creativity and sharing that occurs within open source communities flies directly in the face of arguments that say we need to cordon off the commodity that results from creation.

    I don’t have an answer here — I wish I did. My personal experience, however, indicates that we need to re-think the meaning of “incentive.”

  2. Thanks Bill. I think your last point about incentives is correct, but so is the problem you raise: balancing the need to eat against the creativity that free and open sharing can foster.
    If you do come up with an answer, I hope you’ll share it with the rest of us! ;)

  3. Eric,

    First, let me mention that I’ve been pointing folks to your “Coyote Teaching” post ever since I found it.

    On topic for this post, you might enjoy dropping by a recent post at Cooperation Commons, a project started a couple of years ago by Howard Rheingold and Institute for the Future, from which I’ll quote:

    Had I not blown the whistle [an ostensible infringement] might have lived quietly for quite some time and would likely propagate beyond the rights holder’s ability to prevent. My long term purposes would be well served by such propagation and thus perhaps I should have let the matter lie. Yet I felt a duty to the author, a man I never met, for I refer to this work incessantly.

    I’ve wrangled with IP issues quite a bit, and my views tend toward the extreme. Maybe we’ll have a chance to get deeper into them.

    Cheers,

    rl

  4. Thanks for the referrals, and a big thanks for the resource … the feed is now in my reader! I’ve just started to think about this “cooperation” approach (though I don’t know if I’m talking about the same thing as the blog you reference … haven’t read enough yet to be sure). I think it could at least be *a* solution or step in the right direction.
    I’ve encountered a few of your more radical ideas through your blog. I think extreme arguments can be helpful, in that they point out otherwise unnoticed implications of various positions, so I’m glad you’re there to make them. I hope to learn more from your thoughts.

  5. Cooperation Commons is really broad in scope, intending to cover pretty much anything ostensibly relevant to Cooperation per se or issues of “Commons Management”. So topics range from p2p tech to IP to sociological aspects of FOSS.

    phaedrals last blog post..Throwing in the towel

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